Let’s first look at how to change the settings for an entire project. Color Grading Blackmagic RAW On A Project Basis When working with the Raw images, you can create settings across the entire ProjectProject, or you can make adjustments on a clip-by-clip basis. When shooting Raw, each clip will have its own folder, and within each folder, you’ll find the “.braw” File and a sidecar file containing metadata. Now that you understand the different shooting options let’s look at color grading Blackmagic’s Raw format in Davinci Resolve. Still, the 4444 or 4444 XQ formats don’t use chroma subsampling, which, simply put, means you’re able to get the most out of the color information, and this can be especially beneficial anytime you’re doing any kind of green screen work. I find that 422 HQ is adequate for most projects. These formats use high bitrate encoding, so you’ll be able to get the most out of your image in post. If you choose to shoot in ProRes, I’d recommend using the ProRes 422(HQ), ProRes 4444, or ProRes 4444 XQ settings. Also, ProRes QuickTime files are much easier to work with when editing, especially if you’re working in Davinci Resolve.

The reason you would shoot in ProRes is because of the file size. Still, it’s also important to understand that you won’t have access to the Raw image processing controls if you choose to shoot in ProRes. All Blackmagic cameras shoot in Apple ProRes, so it’s great to have this kind of flexibility as not every ProjectProject requires Raw image capture.

The new Blackmagic Raw codec lets us have the same quality, bit depth, dynamic range, and controls as other Raw formats, but with better performance and smaller file sizes. What this means is it can be incredibly cumbersome on some projects.

The problem with that is it yielded gigantic piles of size as every frame needed to be recorded as its own DNG still. They can shoot in the Blackmagic Raw codec, and what this does is give us the ability to gain access to the digital negative and make changes to the image as though we were working with the Camera on set.īefore exploring Blackmagic Raw, I want to point out that before this codec came out, Blackmagic cameras used the Cinema DNG as their standard Raw recording codec. In the more recent models of the Blackmagic cameras, from the Ursa to the Blackmagic Pocket Cinema Camera. This article will look at working with the family of Blackmagic cameras in post-production. Hi! Welcome back in this article, we learn How To Color Grade Blackmagic RAW (.braw) In Davinci Resolve.

Blackmagic color correction